Tonight in Seattle:  

Photo essay: we came, we saw, we Danced On The Valentine!

at The Crocodile

{John Roderick / by Victoria VanBruinisse}

It was another amazing year for Dancing On The Valentine, Jenny George's annual leukemia and lymphoma Duran Duran cover night benefit concert. Friends and fans packed the Crocodile while we heard most excellent renditions of DD hits and B-sides from the likes of Lesli Wood, Daniel G. Harmann, Noddy, John Roderick, and Fly Moon Royalty. Show-stealers NighTraiN took the stage with Hotels for a mindblowing cover of "Come Undone," Princess brought metal sensibility to Duran Duran's music like we've never quite heard it before, and Exohxo and Katie Kate rounded out an incredibly successful night. The tally is still in the works, but rumor has it that a very impressive amount of money was raised for a donation. Nice work, Seattle!

In case you were up in the photo booth (thanks Ben "The Chauffeur" Haley and assistant) and missed one of the songs, here's a recap of who oh-so-amazingly did what! We got our photo booth on too, so if you see any errors here, please let us know and we'll update:

Lesli Wood with Jupe Jupe - Girls on Film / Wild Boys
Davidson Hart Kingsbery - Skin Trade / Do You Believe in Shame?
Daniel G. Harmann & the Trouble Starts - Planet Earth / Electric Barbarella / Secret Oktober
Noddy - Red Carpet Massacre / Big Thing / Someone Else Not Me
Hotels - Come Undone (with NighTraiN) / Save a Prayer / A View To A Kill / Late Bar
Princess - Careless Memories / New Religion
John Roderick - Lonely in Your Nightmare / Hold Back the Rain / The Chauffeur
Fly Moon Royalty - Read My Lips / All You Need is Now
Exohxo - Rio / The Reflex / New Moon on Monday / Union of the Snake
Katie Kate - Hungry Like the Wolf / Notorious / Ordinary World

And, here's some photos to prove it all happened:

Lesli Wood and Jupe Jupe:

{Lesli Wood and Jupe Jupe / by Victoria VanBruinisse}

{Lesli Wood and Jupe Jupe / by Victoria VanBruinisse}

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Latest comment by: KenDarling: "What an amazing night! It really was great for the cause. Rumor is, a lot of money was raised and I literally bruised my hand while clapping on stage during Rio. Great night! "

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For the (whole) love of Wilco

at Paramount Theater

{Yankee Hotel Foxtrot towers, Chicago / by Victoria VanBruinisse}Last night's performance by Wilco at the Paramount was just a few strokes short of phenomenal. And those few strokes, mind you, were negligible at best. The set had that bright, perfect, let-your-love-light-shine kind of feeling, coupled with a stunning amount of... well, shredding, really, is the only way to put it. Hella shredding, even! Lovelight and shredding, with lots of emphasis on the new album, select tracks from Yankee Hotel Foxtrot, and a perfect integration of the rest of the band's catalog. Lines like what was I thinking / when I said hello {I Am Trying To Break Your Heart}, with no larger problems / that need to be erased {Impossible Germany} and you love her / but you don't know why {Born Alone} were delivered with the intimacy and care as if they were being played for a few hundred close friends at a venue the size of Neumos. Connecting with a room the size of the Paramount is no small task, and Wilco seemed to pull this off effortlessly, much to the crowd's delight.

On top of all the sonic bliss, fans seated up in the balcony were able to take in the show the full view of the stage and the incredulous setup of hundreds of rag-covered lights that hung from the rafters, which reflected an aptly-displayed series of lights and images that changed with the songs during the set -- birds, mountaintops, digital dreamscapes, and open skies. It was reminscent of the thousand-lantern stage setup that Grizzly Bear had at the Moore a few years back, only better. Shreddier, even. And so beautifully Wilco-esque.

{Set list after the jump!}

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Latest comment by: imaginary victoria: "

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Photoessay: Nada Surf at the Tractor

at Tractor Tavern

{Nada Surf / by Victoria VanBruinisse}

The working subtitle for this photoessay was almost Fuck Everything Else, Indie Rock Wins Forever. Because there's no other way to say it: Nada Surf puts on one hell of a pulsing, swoonworthy, face-shredding rock show. And not just any kind of rock, mind you -- this is fully legit indie rock, a term that gets tossed around way too loosely these days. You just have to know it when you see it: in this case, Nada Surf delivers their particular take, with the kind of big-guitar storytelling madness that keeps the crowd moving for the duration of the set, while blowing out eardrums in the most beautiful of ways. Without hesitation, I'll even go so far as to say that Nada Surf comes damn close to giving bands like the Wrens a run for their money -- and those of you who know my personal dedication to all things Wrens know the {musical} gravity with which I speak when I make that kind of a statement.

To wit: the setlist was flawless, and opener Eric Elbogen {nee Say Hi} did a tremendous job warming up the crowd with his batch of attention-grabbing, carefully delivered songs. I only wish more people would have stopped their yammering to pay more mind to his set, but with a sold-out venue that's on their tip-toes readying to rock the fuck out, there's only so much you can expect past the first five or six rows.

Say Hi:

{Say Hi / by Victoria VanBruinisse}

{Say Hi / by Victoria VanBruinisse}

{Say Hi / by Victoria VanBruinisse} {Say Hi / by Victoria VanBruinisse} {Say Hi / by Victoria VanBruinisse}

{Say Hi / by Victoria VanBruinisse}

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Portishead: Live at WaMu Theatre

Third

at WaMu Theatre

On a cool and desolate autumn evening last weekend, Seattle welcomed back Portishead for the first time in fourteen years, the season and the setting perfect for the murky UK act. Their most recent release, 2008’s minimal and stark Third, is already three years old -- this alone made the wait seem like a near eternity before remembering that I last saw the band a few months after I first moved to Seattle, in December of 1997 (and that performance at The Paramount left me thoroughly impressed.) With this in mind, even though over a decade had passed, I still had high expectations... and this time around the band was once again in top form. Time has not aged this group whatsoever, and I was left reeling from their outstanding performance the moment the lights were turned back on in the theater.

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The Velvet Richman Division

at The Rendevous

The Velvet Richman Division

Since I'm such an opinionated music lover (some would say "music snob"), I have fairly rigid ideas about successfully pulling off a cover tune. The way I see it, there are generally two ways you can go. The first is to do a note-perfect rendition of whatever song it is you loved enough to perform in the first place. Otherwise, break it down and make it completely your own -- Grandaddy's cover of "Revolution" is a nice example of this tactic.

But after seeing The Velvet Richman Division (supported by Slaughterhaus Rose and Life In A Blender) last Saturday at The Rendezvous, I may have to add a third option. It turns out that combining said song with others by equally-adored, though generally unrelated, artists and just rolling with it works too.

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